Showcasing the beauty of Mother Nature
I flagged this image as I was going to work on it over the weekend for my raw conversion comparison that I was doing, but 3 images repeated a few times seemed to be enough so I saved it for a monochrome treatment instead.
I’m glad I did! Doesn’t this guy look striking in back and white? He was so close to our vehicle, I had to crop out bits of the Land Rover that had made it into the frame.
Wishing everyone a fantastic week ahead.
I am continuing to enjoy working in Topaz Studio, and now that I am getting more comfortable with the interface, I am starting to notice some differences that may affect how I use the program for future images.
First off, I have noticed that there can be a dramatic difference in how Topaz renders the raw file prior to having any processing done, and it seems to be very dependant on which camera I was using. This lion image was shot with my old Nikon D610 (which I traded in late last year for a Fuji XT-2).
As you can see, with this image there are fairly dramatic differences in the colour rendering, the amount of contrast and detail in the image, and how bright the image is. The raw file appears to have a significant magenta cast in the Topaz file, compared to a more neutral tone in the On1 raw file. I have been finding colour correction a bit tricky with Topaz so far. I think of all the tools I have available to me, Luminar does the best job at correcting colour and especially removing colour casts.
But, even though I started from a different spot editing the raw file in Topaz than I would have from On1, I am happy with the results I was able to get with the image.
With this next image, the difference in colour rendering was far less between On1 and Topaz Studio, so as with all photo editing, images do need to be looked at on a case by case basis. The landscape image below was shot with my Panasonic FZ1000.
In contrast to the lion image, the raw file in Topaz Studio looks better to me than through On1, a little bit brighter and with a bit more detail.
Here is an image from this summer, shot with my Fuji XT-2. I sure miss sitting outside watching the hummingbirds zip around the yard.
The difference in rendering on the Fuji files is far less dramatic. The one out of Topaz looks flatter, but that’s what the editing process is for.
Here is the edited image:
After doing a few of these image comparisons, I am finding that there is a consistent, dramatic difference in the way On1 and Topaz render files from my old Nikon camera, with the files being significantly more “true to life” in the On1 rendering. Since I don’t have the Nikon anymore, this isn’t an issue that will plague me beyond finishing up the backlog of images I have that I would like to edit, so I can make smart choices about what software to use when. The differences between the raw rendering with files from my Panasonic or Fuji cameras is not so dramatic, and if I am using Topaz Studio, I have a better starting point with files from those cameras than I do with the Nikon files.
Wishing everyone a great week ahead!
I mentioned in my post last week that I would concentrate on using Luminar in Windows for the balance of the month. I missed getting this posted before the end of the month, but still wanted to share the images and my thoughts on Luminar in Windows.
First off, thankfully the clone and stamp issue that I found the first time I opened my version of Luminar in Windows had been corrected once I updated the software. Basically what was happening is the clone and stamp layer would appear to work normally, but then would disappear once you clicked done on the clone and stamp module. A bit frustrating, so I am glad that is no longer an issue.
I had read in a few blogs that there were a couple fewer filters on the Windows version; I didn’t count them myself and never found I was missing a tool I wanted to use, so that’s definitely not a concern for me. The one thing I really enjoyed was using the touchscreen for creating masks; my Windows machine is a Microsoft Surface complete with the Surface Stylus. What a huge difference using that made in terms of accuracy. I never transferred my logo file to my Windows machine, so I had to open up the edited files on my Mac to add a logo and then export. I didn’t have any issues with using the files on different systems, which is a good thing as I don’t see leaving my Mac as my main editing machine any time soon, but it does mean that I can work on the road and transition to home in a fairly seamless way.
I’m going to say for my editing purposes, there really isn’t any difference between Mac and Windows for using Luminar. Others may have a different experience, but I didn’t have any issues.
I decided on leopard images as I knew I had some that had some with contrast issues, some wonky colours to deal with and an images where I would need to test the clone and stamp. And Leopards in Luminar just has a nice ring to it, don’t you think?
Since it has been far too smoky to get out shooting, I decided I needed a theme for my Luminar editing this week, and I decided on elephants (surprise!). I’ve not watched any more Luminar tutorials this week, but I have decided for the balance of the month I am going to search out resources on Luminar for Windows, as the program is a bit less advanced than the Mac version.
I actually tried to edit an image on my Windows computer using Luminar, but got frustrated with a clone and stamp issue and gave up. Currently, I’m letting that computer download the latest update while I write this, so perhaps the issue will be resolved with the latest version.
Editing elephant images has given me a chance to work with a variety of tools to bring out texture and contrast. An elephant’s wrinkly skin is such a wonderful feature, and raw files really need to be worked with to bring that back to life. I’ve found that Luminar does an excellent job with this, but you definitely need a gentle hand with the adjustments as they can go up to 11 very quickly. The other feature I am enjoying on Luminar is the Accent AI slider. It analyzes an image and tries to adjust automatically for exposure, contrast, clarity, saturation… but like the filters that affect details, I find it it needs to be used with a gentle touch, otherwise the image starts to look overdone.
I hope you enjoy my selections for the week. Wishing everyone a great week ahead.
As I mentioned in my July in Review post, this month I am going to be exploring editing images using Luminar 2018. When I was still using Lightroom and Photoshop, I used the MacPhun plugins quite a lot (especially the Tonality plug-in) so some of the interface and working of Luminar feels familiar, but I really wanted to take a deep dive with the program and get proficient is using it and develop a workflow around it.
Just to get this out of the way, I don’t have any affiliation with Skylum, the makers of Luminar or with any of the creators of the resources I may mention or share links to. Luminar is one of several editing programs that I use, and any links that I mention are from my searches online for Luminar editing tutorials and resources. I’m including links to them in case someone else may find them useful.
In terms of resources, the most logical place to start is direct with the developer. There are loads of videos on the Skylum Youtube Channel from Getting Started videos to tutorials that deal with specific processing situations such as landscapes and portraits. I watched a few of the Problem Solving, Core Skills, Quick Knowledge and Inspiration videos when I first got the software to give me an overview of where to find things, and have just watched a few chapters from Anthony Morganti’s Mastering Luminar 2018 as a refresher, since I only used the program once since purchasing it. Over the coming week I’ll post more resources as I work through them.
I decided to work on an image that didn’t need a lot of work, just some basic refinements including removing dust spots, cropping, adding some detail and contrast, and adjusting the tone of the sky.
I sent this image to Luminar from On1 Photo Raw, selecting the “Edit the raw file option”.
The settings I used in Luminar for this image are below:
Hopefully no one is getting bored of leopards, after having a few posts in a row featuring my favourite cat.
If you missed the post from yesterday, you can check it out here, with lots more images of this beautiful cat.
Wishing everyone a fantastic week ahead.
Even spending a short time in the bush with a given animal, it is easy to get caught up in the drama of its life, and care how things turn out for it. Regardless how deeply I realize it is all part of nature and the circle of life, I still find myself feeling sad in hearing of the passing of an animal that I had a special sighting of.
I recently read on the Londolozi blog that the Tamboti female leopard has not been spotted in over a month, and is presumed dead. I had two sightings of her on my last trip; the first, we arrived to the riverbed moments after she stashed her cub into a new den site, missing what we thought would have been the sighting of a lifetime. We did catch a brief glimpse of her moving a cub into a deeper part of the bushes she stashed them in, and as we headed back to camp, I was happy to even have seen the briefest glimpse of a cub so tiny.
The next morning, our last on safari, after having an amazing moment with elephants we headed off on a whim back to the clump of bushes where she stashed the cubs. Our wonderful ranger Dave had an instinct that she might move the cubs again, and as we arrived, we found her with one of the cubs and were able to follow her on a long journey through the bush to her new den site, and then spend some time watching her interact with her two tiny cubs. I’ve posted about this sighting before, and you can see some other images here.
Reading that she is now presumed gone, and only her female cub remains, prompted me to edit a few more of my images to share, and to relive those wonderful moments in the bush, watching nature unfold.
