Happy Monday! I am super grateful that I was able to get my computer back out of sick bay this weekend, complete with a new SSD drive, so hopefully it’ll be running well for a couple more years (at least).
I got the computer back, but haven’t actually had an opportunity to do anything with it in terms of editing. Even with the system restore from a backup, there are little quirks that need to be addressed.
So here is a giraffe image I edited a few weeks ago and had ready to go. These two were part of a group of about 6-8 that were spread out amongst the acacia trees. We were on our way to check on a lion sighting from the previous day, so we didn’t spend too much time with these guys. Not that we needed to rush to the lions; they had barely moved since the previous day.
I’m focusing on photo art this month, and decided to start things off focusing on giraffes. The easily recognizable shape of a giraffe meant that no matter how far I took the editing, the shape of the animal would still be recognizable as a giraffe.
Since I don’t have any natural talents in drawing and painting, creating these painterly interpretations from the photographs that I take is my opportunity to set aside the need to keep an image looking realistic, and instead focus on what the image is saying to me.
I hope you like my selections for the week; check back next Sunday to see the next instalment.
I’m sure most would have expected me to start with elephants for my first post in a series on babies in the bush; and I was tempted to. We spent time with so many large herds, and saw so many young elephants, I am spoiled for choice with images. But, I decided that I would start with something different, and chose to focus on animals with hooves instead. My timing was wrong to see tiny impala, but I did see a fair number of young giraffe, waterbuck and zebra during my travels.
I hope you enjoy my selections, and wishing you an excellent week ahead.
I was fortunate to see lots of youngsters during my latest travels. While the young elephants are definitely my favourite to watch, especially when they start waving their tiny trunks around trying to act tough, all the young animals in the bush are a delight to see.
I’m a little later than normal with my Monochrome Monday post as I have been playing around with using the MacPhun (now Skylum) Tonality plugin with Luminar. I must say, I am really enjoying using Tonality again!
Tonality was my go-to for black and white conversion when I was using Lightroom and Photoshop. I found I could dial in the vision I was imagining much faster than using other black and white methods. Now that I no longer have Photoshop, I am glad I have a way to integrate the plug-in back into my workflow when I want to.
I’ve started watching some Luminar videos on YouTube by Jim Nix, and one of them really resonated with me today. It had nothing to do with the image or the edits he did, but just the concept of revisiting old work to re-edit photos, to experiment with new software, filters and combinations of tools to keep your creativity and interest peeked. A lot of that is why I am enjoying this theme so much, as the lack of familiarity with the software has caused me to think a lot more critically about what I want to achieve, so I can figure out how to do it, but it has also allowed me to just open random filters to see what they do, sometimes to great result, sometimes awful. If you are interested, you can find the Luminar video by Jim Nix here.
Now on to the images for today.
For this giraffe image, I did an extra step to start, and from Luminar opened Topaz Studio and then the Topaz Remask plugin. I find Remask is excellent for complicated situations like these tree branches against the sky. The sky was very grainy, and I wanted to apply some noise reduction, and I thought that would be the best way to go. I shot this image with my Panasonic FZ1000, which is a very capable little camera, but I do find skies are generally quite noisy regardless of the ISO. There was also a lot of airborne dust so it could have been that rather than a limitation of the camera. After I created my mask in Remask, I ran the noise removal filter in Topaz Studio and sent the image back to Luminar, and then onto Tonality for black and white conversion. If Luminar had an option to adjust luminosity masks so I could isolate the sky, I would have gone that route and saved some steps, but right now its not an option.
Things were much simpler for the next two images. I edited both using the Tonality plug in, though I am sure I could have arrived at similar results just using Luminar. As with most photo editing programs, there are a lot of different paths to get to the same place. It’s all about what works for you.