2017-11-30: WPC Experimental

I am a few days delayed in posting for this topic, but I wanted to play along anyways.  The photo prompt last week was experimental, and it gives me an opportunity to share some of the images I call my Artistic Impressions.

It’s timely, as I was just listening to a wildlife photography podcast that I really enjoy, discussing photographic art as opposed to straight “documentary style” wildlife photography.  I thought the comments of the host, Gerry Vanderwalt, were absolutely spot on.  His take on it was use your wildlife images in whatever way you choose to create the art you want to make, but just be very clear when presenting it to let people know that what they are seeing is not reality.

Now, I don’t think anyone would mistake any of these images for reality, and the comment was more aimed towards compositing work, but, I really do feel that people should create whatever moves them.  If reality didn’t match how the moment made you feel, then turn your images into something that does invoke the feeling of the moment.  Just don’t try to claim it is something that it’s not.

Anyways, on to the images 🙂


ground hornbill
A watercolour style take on a ground hornbill at sunset.  I loved the posture of the bird and the shadow on the termite mound, but found the image to be less sharp than I would have liked.  Turning it into one of my artistic impression images allow me to play up what I liked most about the image.
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If an elephant visited one of my dreams, I think it would look something like this.
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A cormorant perched on the edge of the Atlantic, with seals frolicking amongst the waves.  
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A small part of a large seal colony in Namibia.  The weather along the coast was dull and blustery, and many of my images left me flat.  This take on the scene reminds me of surveying the area through the fogged and misty windows of our vehicle.


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WPC: Experimental

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